And Shanghai is amazing. I'm a fan of science fiction so when you're there in the night with all the lights and all this modernity, it's like a set in a movie.
I quite like mistakes. I think they're human.
I don't understand American football at all. It looks like all-in wrestling with crash helmets.
Takes more than combat boots to make a man.
I think the labyrinth is an interesting metaphor for our lives as musicians. We're always being drawn toward the center of it because that's where the mystery is. What is music? It's a journey.
Security in human systems we're told will always, always last. Emotions are the sail, and blind faith is the mast. Without the breath of real freedom we're getting nowhere fast.
I'm very much afraid of being mad - that's my one fear.
The extent of one man's guilt may be defined by how much of it is experienced by the party he injured.
David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.
I never met Barry Crump, but I was in an audience once for a play once. There was a drunken man at the back of the auditorium that was shouting during a performance of a one man play, and it turned out later on that was Barry Crump and he was in a state of inebriation.
If were were in a film, the villain would turn out to be the least-expected person. But as we aren't in a film, I'd go for the character who tried to strangle you.