I'm kind of a distractible guy.
Across the board you can run up against 10 athletes where we're the same physically. They've done the same kind of training; they are in the same kind of shape. But the one that wins is the person who really believes they can win.
With acting, it was really more of a general kind of experience of really just loving being in the theater.
I'm not the kind of writer who's able to block out the world around me. I'm mindful of our own haves and have-nots, how our culture often blames and punishes the have-nots. I worry about our precarious economic and political climate.
From as early as I can remember, I wanted to have something to do with the acting business. I was a TV junkie as a kid and I think, because I grew up in a small town where I couldn't imagine myself staying there and couldn't see myself being any of the people that I was surrounded by in this town, I just knew that I wanted a different kind of a life, but I didn't know what that meant and I didn't know how.
I kind of always think my work is unfilmable, and when I meet people who are interested in filming it, I'm always stunned.
But I think it's also hard to get into soccer here. I think purely on a time level on television as well because of the ad breaks. It's something to do with that as well. You can't show a complete soccer match here. Which I kind of find a bit of an odd thing.
I’m sorry if I’m not flirting with you. I’m kind of spoken for.
Unlimited activity, of whatever kind, must end in bankruptcy.
When you did the job, you thought you were just trying to amuse your friends who are all on the job. I'm just trying to make the sound guy laugh, the script supervisor. A movie like 'Caddyshack', I can walk on a golf course and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It's like, 'Fella, I did that once. I improvised that scene. I don't remember how it goes'. But I'm charmed by it. I'm not like, 'Hey, knock it off'. It's kind of cool.
My parents were kind of like me in that they had tons and tons of weird, amazing stuff.
My one failing as an artist is that I depend on reference material to perhaps a greater extent than I should. Delacroix said that if you can draw a man falling out of a window and have the drawing finished before he hits the ground then you're a real artist. I wasn't that kind of artist.
When you're have known to do voice-overs for Justice League or Legion of Super Heroes or DCMarvel, you're kind of on that radar. When you do a ton of Star Treks over your career, then you're kind of on that radar in a way. But that doesn't mean you're going to continue getting that type of work. It just means when you do that type of work, you're more firmly tied to that genre.
I'm kind of a homebody.
I know when something is kind of half-baked.
The ego always looks toward the next moment for some kind of fulfillment.
We have 11 horses up at our country home, six of which are rescue animals. . . Two of them are 'cop horses' from the mounted police, ages 4 and 5, who turned out to have physical problems that weren't suitable for the kind of work they have to do. Now, with us, they are just out to pasture and have nothing but a good time, eating their heads off, romping and frolicking, and just doing all good horsey things.
You're kind of numb after 50 shots to the head.
I do not consciously reclaim. I am not those "some readers" and so I think it would be impossible for me to see my work that way, as reclaiming a preserve. I write in a way that is aimed at all levels - conscious and unconscious - at pleasing the kind of reader I am. Some of the authors I read are male, some are female, and some are even in between. And speaking of in between, maybe now is as good a moment as any to point out that there might be no "feminine" or "masculine" literary sensibility, or sensibility generally.
Whenever you brown butter, some of it is lost - water evaporates, milk solids fall to the bottom of the pan, that kind of thing. It's possible that in browning the butter you ended up making the dough with too little butter.