I have decided that the trouble with print is, it never changes its mind.
I love reading. I'm fortunate enough to have signed books by Faulkner, Steinbeck, Thomas Pynchon.
What, however, left a deep impression on me was the reading of the Ramayana before my father. During part of his illness my father was in Porbandar. There every evening he used to listen to the Ramayana.
I will tell you something about stories. . . They aren't just entertainment. Don't be fooled. They are all we have, you see, all we have to fight off illness and death.
The fact that people are already reading and loving something I wrote is still hard to believe.
A novelist writes a novel, and people read it. But reading is a solitary act. While it may elicit a varied and personal response, the communal nature of the audience is like having five hundred people read your novel and respond to it at the same time. I find that thrilling.
Anything John Stott says is worth listening to. Anything he writes is worth reading. Basic Christianity is not only a classic must-read for every believer; it is truly a blessing preserved on the written page for the enrichment of this generation and those to come.
Milton Erickson was a master at using experiential techniques to elicit strengths that were previously dormant. Mills and Crowley have masterfully captured essential elements of Erickson's work and applied it to therapy with children. Easy to read, meticulously referenced, and filled with inspiring case studies, Therapeutic Metaphors for Children and the Child Within has now been updated with important new findings, and it's essential reading for clinicians who work with children as well as for those who want to improve their use of therapeutic metaphor.
Once in a while you start having second thoughts, then you read a letter from someone that lifts your spirits so much - it really makes a huge difference. I love reading them.
The short version is that I started an internet diary a long, long time ago (six years!) because I was bored with my job. I figured I would write a few funny things a few times a week until I had enough material to do stand-up. After two or three weeks, I emailed it to some friends. They emailed it to other friends, and more people started reading. Eventually, I realized that stand-up was scary and it would be much easier to just keep writing this stuff at work.
Algebra looked like Chinese characters to me, and I could never get into reading Shakespeare. I just did not get it.
I like to invest as a performer in the director's vision and then bring a sense of reality to whatever I'm doing, whether it's comedy or whether it's drama, and trust that they're going to tell me if something's reading as funny or if it's reading as dramatic or reading in the right tone.
Here’s to books, the cheapest vacation you can buy.
I don't remember learning to read, but the first thing I remember reading is a science fiction novel.
Books are personal, passionate. They stir emotions and spark thoughts in a manner all their own, and I'm convinced that the shattered world has less hope for repair if reading becomes an ever smaller part of it.
I actually really do meditation and then I spend my morning reading.
The young adult literature is relatively new - it just kind of exploded in the 2000s. When I grew up, there weren't bookstores with sections dedicated to teen lit, nor was my generation raised reading books written specifically for us. Because of that, today we still think of books for teens as children's books and so when you write a book that includes sensitive topics, it just seems even more controversial. What's troubling to me about that is these are issues adults know that teens deal with. Not writing about them makes them something we don't, or can't talk about.
Knowing you have something good to read before bed is among the most pleasurable of sensations.
I have found, in short, from reading my own writing, that my subject in fiction is the action of grace in territory largely held by the devil. I have also found that what I write is read by an audience which puts little stock either in grace or the devil. You discover your audience at the same time and in the same way that you discover your subject, but it is an added blow.
The most popular typefaces are the easiest to read; their popularity has made them disappear from conscious cognition. It becomes impossible to tell if they are easy to read because they are commonly used, or if they are commonly used because they are easy to read.