The real object of the drama is the exhibition of human character.
I get a lot of dramas, but I'd like to do a romantic comedy type of movie; that'd be a nice step for me. No more screaming or running or shooting. . . for one movie where I can just be in love with a boy.
The marathon is a charismatic event. It has everything. It has drama, competition, camaraderie & heroism
I loved The Sarah Connor Chronicles that Josh did, and I loved that it was a family drama with a huge, different element. And this is also a family drama with a huge, very different element. I think he'll kill it. It will be great.
I hate that you don't have the insight. I hate that you shamelessly returned despite being kicked out. I hate that you don't even seem to have the slightest self-respect. And also the fact that you used San as your "heart-wrenching" excuse to return. Back to this hell-hole.
I think that I originally became an actor because I was super, super dramatic. Over the top, all the time. I was the kid that would bump my knee and scream and cry as if I'd been shot in the face. So just automatically, the only outlet for my drama was acting and I loved theater.
From now on, don't do this, even for me. We don't have an employer-employee relationship right now. I'm a person and you're a person. Why does it have to be so one-sided? Why do only women. . . Why only you, Yoo Kyeong, have to do things like that? 'So, I'll try to look good, in any way that I can. ' Let go of such thoughts. When you're on TV, you look wonderful, full of confident. You shine.
I think that is one of the things that is beautiful about fiction and that you can do through drama. If I was a detective, I could make a certain version of everything we know to be exactly true. And that would have a certain kind of truth value. And there are certain other things that we know that are emotionally true.
For me, hour-long drama was always the thing I felt the most comfortable doing, and I've played so many dramatic roles in the theater.
I don't want to hear any drama [about me]. I don't want any negativity. I don't want to hear what's on the blog. I don't care what others say about me.
This is what we have all come to Cannes for: for something different, experimental, a tilting at windmills, a great big pole-vault over the barrier of normality by someone who feels that the possibilities of cinema have not been exhausted by conventional realist drama.
She feels so contented in giving birth to a child, in helping the child to grow; and that's why she does not need any other kind of creativity. Her creative urge is fulfilled. But man is in trouble: he cannot give birth to a child, he cannot have the child in his womb. He has to find a substitute, otherwise he will always feel inferior to the woman. And deep down he does feel that he is inferior. Because of that feeling of inferiority man tries to create paintings, statues, dramas, he writes poetry, novels, explores the whole scientific world of creativity.
Let go. Let go of all the stress and drama in your life. It's not worth it, and your body is far too important - too precious - to be bothered by a simple psych-out. You will figure it all out eventually, so why make life more complicated?
Timing and pace are important in any film, whether it be comedy or drama. And how better to learn the fundamentals of these show show business ingredients than by dancing?
You're speaking coldly towards me but why is it that my heart isn't getting cold at all? Is it because your heart is saying something else? Is it because there's something else you're hoping that I'll hear? So tell me the real reason. Why are you doing this? I'll become your strength. I have the confidence to do that.
The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.
To deny being lovers in order to gain something. That can result in a much worse situation than one can imagine.
Larry and I, and a bunch of our colleagues, were sitting on great stories that needed to get out to an audience in one way, shape or form. We've both produced comics in the past, and audio dramas seemed like a similarly interesting option, the other side of the coin. As we've continued with the project, the format has become a vital way for us to tell our stories.
I don't want to worry anymore thinking about the future. Mi Rae. . . 'Mi' meaning not yet. 'Rae' meaning coming. Why should I decide on the present, thinking about the future that's not here yet? I won't do that anymore.
With the poetry of plain speaking, Shannon Hitchcock recreates the daily drama of a vanished world.