I writhe when I see myself on the screen. I'm such a dreadfully clumsy hulking image. I say to myself, 'Why doesn't he get off? Why doesn't he get off?' I mean, I look like such an idiot. Some fat awkward thing dredged up from some third-rate drama company. I must stop thinking about it, otherwise I shan't be able to go on working.
What initially attracted me to The Seventh Seal was that it had values and characteristics which I was familiar with in other art forms, most notably, the European novel and certain forms on English drama, and indeed, in relation to my rather academic interest in history -- not "history" in the normal sense, but history as a form of entertainment. It might be a very unfashionable view but I believe that history is an amazing bank or reserve area of plots, characterisations, extraordinary events, etc.
I always wanted to be a journeyman actor. I wanted to be able to do comedy and drama, classical and contemporary. I like to do film and theater. And I pride myself on that diversity of being a journeyman actor.
I realized that I spent more time thinking about my problem clients than my great clients. I had to stop feeding the drama of the problem clients-and other problems in my life.
I think comedy is drama, often. It's hard to have comedy over a period of time - commercials are one thing, but over a period of time - comedy and tragedy go hand in hand.
If you can reincarnate, what do you wanna be in your next life? I think I want to become a rock. A stone has no troubles and lives a simple life. The worst that could happen would be being stepped on, but that won't hurt. Am I right? What about you? What are you thinking? I've already thought it over for you. You'll become the wind. Because the wind is one of the world's cleanest things. Moreover, the wind can blow upon the rock, moving it. As it blows, the rock will eventually turn into sand. This way, the sand and wind can be together. Sand and wind are meant to be together.
I think since I was in drama school, I wanted to direct in the theatre. When you are an actor, you just have to open your eyes and you start to learn a lot about how to survive on set and what's important and how to tell a story. Directing is really about putting yourself out there, to be slapped in a way. You know that in the kitchen, you're gonna get burned. It's very scary but very exciting as well. If you have something to say, you have nothing to lose and you probably learn from the experience.
It has nothing to do with the emotional demands of a role; I've done comedies that are as draining to me as any drama.
IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.
The White Queen in many ways it is representative of the sort of drama that I'm talking about. The books by Philippa Gregory were best sellers and they specifically told the story of history from the point of view of women.
The life I've had, the difficulties, the hardships, the pain I've suffered since I was a child. It's a great privilege to have led a difficult life, and many people in my generation have had this privilege - I sometimes wonder if young people today aren't deprived of the dramas that shaped us.
Whatever kind of movie it is, youre going to be more into it when you care more about the drama, or youll have a better laugh if you feel like you know the people better.
I failed to get into drama school, and my best friend told me I should do stand-up instead. I was always doing gags and voices, so he booked a gig for me without telling me. I only had four days to write it. I did a seven-minute set; the first four minutes were terrible, but the last two were amazing.
I don't want no drama in my life, even though we have a little bit, but no more letting people control you. That's drama, because then you become something that you're not.
Getting to do what I think was my fifth BBC drama with Nikki Amuka-Bird - we've done 'Shoot The Messenger,' 'Five Days,' 'The No. 1 Ladies' Detective Agency,' 'Born Equal' and now 'Small Island' - was another highlight for me. And filming in Jamaica was great, too.
I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.
I loved doing all those costume dramas. I didn't think, 'Ooh I've got to avoid being typecast' - you can't ever be dictated to by what other people think. I just do things because I fancy the parts and the directors.
My emotional investment started when I read the first scene of the actual drama [45 Years]. I can't explain it, there's no logic to it, but the notion of one's youth that somehow comes back but is gone, a man of my age connecting to that timing of life.
Myrnin: "There is no drama so great as that of a teenage girl. " Claire: "Except yours.
Doing a sitcom is like doing a play - you rehearse for three or four days, and then you shoot what you rehearsed on Friday night in front of an audience. An hour-long drama is like shooting a movie. You're shooting 13-14 hour days. The endurance itself is different.
