As you get older, your songwriting starts to become less and less about you, and especially when you have kids and a family. You start to see the world through other people's eyes a lot more to the point where it's hard to go back and relate to that "me against the world" perspective that I think a lot of my earlier songs were about. It's not so much about "me against the world," it's, how do you make the best possible future for your kids to grow up in?
As a new artist there's always outside influences trying to tell you how to make a song better for radio and how to do your hair.
I've woken up from dreams and the whole song is there. I'm listening to it in my dreams. I consciously have to wake myself up and get a tape recorder because I hear it like a record.
Let the church come to God in the strength of a perfect weakness, in the power of a felt helplessness and a child-like confidence, and then, either she has no strength, and has no right to be, or she has a strength that is infinite. Then and thus, will she stretch out the rod over the seas of difficulty that lie before her, and the waters shall divide, and she shall pass through, and sing the song of deliverance.
Ah, steeds, steeds, what steeds! Has the whirlwind a home in your manes? Is there a sensitive ear, alert as a flame, in your every fiber? Hearing the familiar song from above, all in one accord you strain your bronze chests and, hooves barely touching the ground, turn into straight lines cleaving the air, and all inspired by God it rushes on!
Every man is the hero of his own song.
I think what makes compelling fiction or cinema is when you're basically taking the most intense moments of experience and you're creating a song or a narrative out of it.
I think…to give. In the best way I can, through song and through dance and through music. I mean, I am committed to my art. I believe that all art has as its ultimate goal the union between the material and the spiritual, the human and the divine. I believe that to be the reason for the very existence of art. And I feel I was chosen as an instrument to just give music and love and harmony to the world. To children of all ages, and adults and teenagers. . . . I love people of all races from my heart, with true affection.
After that I didn't listen to music as much because '70s music just wasn't. . . I remember all the songs, but it wasn't because I was into them, you know what I mean?
To be honest, that whole exchange with Crunk Feminist actually made me write the song because I realize there's a lot of young women out there so hurt by the misogynistic images in hip-hop they paint it with such a broad brush stroke that they think anybody that defends hip-hop is defending misogyny.
I would say the songs that have different lyrics. I always write the music first, and there's a couple of songs on this box set that have different lyrics from what ended up on the final recording.
I don't wanna get into that space where a lot of guys now, their solo album is like eight or 10 songs with other people, you don't get an idea of who this guy is. I just wasn't interested in that.
Everything in the service needs to preach - architecture, lighting, songs, prayers, fellowship, the smell - it all preaches. All five senses must be engaged to experience God.
There is a one-in-300 chance that Earth will be struck on March 16, 2880, by an asteroid large enough to destroy civilization and possibly cause the extinction of the human race. But, on the bright side, Prince could re-release his hit song with the new refrain 'We're gonna party like its twenty-eight seventy-nine. '
We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We're the kind of band that can cross those lines.
My father's a musician and my mother's a singer. My dad's originally from Brooklyn and he was a Latin percussionist so I've always had instruments around the house. He used to have a show like a 1950s rock and roll show with Little Richard music. They would do doo-wop songs and stuff like that.
"I'll Still Destroy You" song is lovingly talking about how we change our states of mind, whether it's weed or wine or whatever. It's an ingredient in my life. Sometimes we overindulge ourselves. I've always been okay with that in a funny way. I sing about that stuff a lot, and the dangers of it.
Nowadays, people are so jeezled up. If they took some chamomile tea and spent more time rocking on the porch in the evening listening to the liquid song of the hermit thrush, they might enjoy life more.
All comics want to be musicians. There's a part of me that wants to be a serious musician. I love songs about heartache and heartbreak.
Sing to me in the silence of your heart and I will rise up to hear your triumphant song.
