Coming, going, the waterbirds don't leave a trace, don't follow a path.
I can't do anything else. So if this falls through, I'm screwed.
A character I would love to play is Iago, from Othello.
I like the idea of experimenting with different kinds of formats, and I think you've got to keep on your toes and keep changing.
If you meet somebody who's spent any length of time in prison, you don't let your guard down. Ever. And really, that's what that was about-if you open up too much, you're asking to get your teeth kicked in.
When something arrives, you have no idea what's in it, which is good. And then, it's is the story leaps off the page at you and how your character functions within it. There could be just one scene and if it's wonderful, it doesn't matter how much you're working on it because you just want to be in it. It's really about what your character's day to day world looks like, and if you feel like that's something that's complete, and that you'd like to inhabit for awhile. You'll know by a couple of scenes in. If the character grabs you, you run with it.
I don't care to analyze acting. On the other hand there is a fascination because distributors are putting out British films. You get films here with great performances you'll never see again. Why compare. We should go after the businessmen.
I travel all the time.
It is only in the last 800 years that the rules have come into being and conservative Zen has surfaced. It is not particularly popular in Japan at all. Hardly anybody practices Zen any more because it's just too strict; there are too many rules.
Competition is healthy. Competition is life. Yet most actors refuse to acknowledge this. They don't want to compete. They want to get along. And they are therefore not first-rate actors. The good actor is the one who competes, willingly, who enjoys competing. An actor must compete, or die. . . Peacefulness and the avoidance of trouble won't help in his acting. It is just the opposite he must seek.
Experience has taught me that the only cruelties people condemn are those with which they do not happen to be familiar.