In film, you can't go into analytical explorations because the audience will reject that.
Between the demand to be clear,and the temptation to be obscure, impossible to decide which deserves more respect.
By all evidence we are in the world to do nothing.
The fact that life has no meaning is a reason to live - moreover, the only one.
I do not forgive myself for being born. It is as if creeping into this world, I had profaned a mystery, betrayed some momentous pledge, committed a fault of nameless gravity.
Since all life is futility, then the decision to exist must be the most irrational of all.
I don’t understand why we must do things in this world, why we must have friends and aspirations, hopes and dreams. Wouldn’t it be better to retreat to a faraway corner of the world, where all its noise and complications would be heard no more? Then we could renounce culture and ambitions; we would lose everything and gain nothing; for what is there to be gained from this world?
It's the scariest thing in the world, going to acting class, because first of all, there's a lot of pressure. I just go back to being that fourth grader who couldn't, like, sit still in her seat.
Now, the magic of British parks at night, as Bill Oddie presents. . Gaywatch.
No one suffers so much as he [the genius] with the people, and, therefore, for the people, with whom he lives. For, in a certain sense, it is certainly only "by suffering" that a man knows. If compassion is not itself clear, abstractly conceivable or visibly symbolic knowledge, it is, at any rate, the strongest impulse for the acquisition of knowledge. It is only by suffering that the genius understands men. And the genius suffers most because he suffers with and in each and all; but he suffers most through his understanding. . . .
I hate good taste. It's the worst thing that can happen to a creative person.