I've found that music allows years to fold like an accordion over each other, so I guess you don't feel the passage of time as much.
I did what we call dry for wet effects, some of the miniatures work and two animation sequences.
We were trained from cartoons. Everything who was on the screen was chosen. Anything who was not there was deliberately not there.
Now people don't know what it was in the Paris version, they put the skeleton at the end, not at the beginning. At least they've learn something!
It's an enormous amount of work: there are 28 separate buildings, and I work on the choice of the colors for everything. Outside colors, balcony colors, etc. . And all of this has to work together, in harmony.
I helped develop Disney's) special effects department at that time, which helped very much when we worked on "20000 Leagues under the Sea"
What happen to the pirates we are supposed to see? Then we go down the chutes, and it's where the pirates were. But they're all gone. There is nothing but skeletons down here!
If you were to take the lessons and experiences you've acquired in the past one year, five years or 10 years and skillfully invest that into your future, how powerful would that be? Where would you find yourself at the end of the next year?
Intelligence is the wife, imagination is the mistress, memory is the servant.
One either loves, or waits for love, or banishes love for good. That is the full range of possible choices.
So many of us are reaching out, hoping someone out there will grab our hands and remind us we are not as alone as we fear.