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When I came to Delhi first and said, "This is not India. And then I was taken to Varanasi and there I loved, loved the culture. It was a beautiful journey. The way the people dressed - even the poorest people, and the fabrics! With vegetable dyes, and I was fascinated by the color. But in the end I loved the men - all in white - so many shades of white. And I said, "What am I going to do? A color collection or a white collection?" I finally did a neutral white collection.

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Liv Ullmann

Sometimes I get a little tired of it. But you know, what a privilege, to get tired of working with Ingmar Bergman.

Bergman, Ingmar, Littles, Privilege, Tired, Working
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We who are alive at this moment are only an infinitesimal part of something that has existed for eternity and will continue when there is no longer anything to show that earth existed. Still, we must feel and believe that we are all.

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I realize that we've come to a different way of showing movies. But I'm still with the old ways, and I can't change.

Change, Different, Old, Realizing, Way

You see that a lot in movies, and today you see it more in movies that are made, because I feel more movies are made towards groups than towards individuals, and they're made more for mass media than for sitting in a movie house allowing it to happen.

Groups, House, Individuals, Media, Movie, Movies

There is a difference between film and digital. Because digital, you know, it's perfect and whatever. But with film, you get depth. You get subject.

Depth, Differences, Digital, Perfect

Yeah, unfortunately [ films like Miss Julie are a dying breed]. And that is sad, because we need these. Like we need books, we need classical music, we need ballet, we need opera, to remind us really of who we are and why we are, and we need in movie houses - even to be in a movie - where you sit and see not only excitement and man-hero, woman-hero, you need quietly, just like that Hawking movie we talked about, to know how people overcome.

Ballet, Book, Hero, Men, Sit, Unfortunately
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