Is there a movie I think I should have won the Oscar for? Yeah. All of them.
I learn from every movie I do because on every movie I have a different experience.
It's all just one film to me. Just different chapters.
Matthew Vaughn phoned me up and he said, "Hey, listen, the movie has just done gangbusters. We've got to do the second one. " And I was like, "Matthew, I have no second book. Dave and I haven't done it," and he's like, "You're kidding!" He said, "This movie's just made $420 million!" I was like, ". . . We've got nothing. " So the amazing thing was, because we own the rights, we still get paid and everything, which is fantastic.
I don't want to be famous as a movie star and have the whole world love me, I want to be a creative actress.
I'm all for whatever transitions the book properly to a movie.
The fact is I am quite happy in a movie, even a bad movie. Other people, so I have read, treasure memorable moments in their lives.
A good actor is someone who knows how to take the part and make it real and make it honest and be effective in it. If it's in a funny movie and, as long as they are cast in an appropriate way, humor will come from it.
I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. I'm marking poles like a dog does. This is how I show my movies to the world.
I was 12 when I got a small part in a movie in Texas. And in my spare time, I play with my dogs and write music and go out with my friends.
In the future, everybody is going to be a director. Somebody's got to live a real life so we have something to make a movie about.
Well, I think one of the main things that you have to think about when acting in the movies is to try not to make the acting show.
When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
Inspired music arises from an inspired movie which arises from an inspired script.
For me, when I'm making a movie I like to stay in character throughout the day.
Even when you're making a movie about life, death is a presence, and I guess it's part of my dramatic viewpoint. I'm not sure why exactly.
Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
Dude, I didn't say Jude Law can't act. I didn't say Jude Law was in bad movies. I just said he's in every movie.
There might be an Easter egg in there that I'm missing [in Timeless], I'll have to look again, but there are pop culture references, for sure. There are a lot of references that you would only understand if you've seen the movie The Untouchables.
And it's one reason why I don't go to a lot of movies - they're more and more dominated by corporate values and fiscal concerns as opposed to cinematic concerns.