Mark Millar MBE (/mɪlˈɑːr/) is the New York Times bestselling author of Kick-Ass, Wanted and Kingsman: The Secret Service, all of which have been adapted into Hollywood franchises.
Artists, no matter how good their intentions, are always slower than they think.
What I wanted to do was drown something enormous, like a Star Trek or Star Wars kind of space opera-type thing, but actually make it about someone who was just married to the wrong guy, and that guy just happens to be this amazing dictator, and she has to get her kids as far away as possible from this guy. So something that could almost be a TV movie, if you'd ground it and set it in Wisconsin or something like that, but to give it this enormous setting.
Likewise, I see no shame in writing Captain America or Wolverine.
The books are all very, very different so the publishers really had to be different too.
You kind of worry for the characters in a way that you don't normally in sci-fi, because sci-fi tends to be about the ideas, and this is about people.
The highest form of leadership is one in which a leader raises up other leaders - not as an accident, but as a result of conscious effort.
I am as resilient as the steel that was once made here, and I am a fighter, in every sense of the word. We all are.
I think exactly the same qualities as men [women role model needs], exactly the same, which is kindness, courage and intelligence.
The big thing is it's a domestic drama. Everything else in science fiction tends to be high-concept. Really for the last 40 years or so I think sci-fi's been a little cold and a little inhuman quite often - certainly since the 1980s - and I really wanted to do something that almost felt like a regular, real-life drama but just set it in a sci-fi setting. I think the best stuff is always like that.
I'm honestly as happy writing Superman Adventures as I am writing Wanted.
At the moment, I have it planned as a six or seven year experiment, but the books will only ever appear in bursts like this every couple of years and only with the best quality artists.
First, believe in your ability to create the future. That's what leaders do-that is our job. Understand reality but never be imprisoned by it. Reality is a moment in time. The future has not yet been written-it is written by leaders.
Would you rather see a super soldier battling Nazis or something more serious? Or lesbians down a coal mine? Generally, the films are engaging in the same way as the comics are. It's no coincidence that the biggest movies are genre-related, whether it's Lord of the Rings or comic books.
When you don't have time to do your job, that's a good indication you're playing the wrong game.
Others control our opportunities, we control our readiness.
There's almost a universe as big as the Marvel Universe with X-Men. I mean, Deadpool is something I think everybody was taken surprise by, except for the people who read the comic book.
Marvel books also feed into the smaller publishers and the fact that this is happening in the same month we're launching Ultimate Fantastic Four is no coincidence.
I just love the fact that all my pals are basically looked after. You know, we have these amazing deals, these guys split 50 percent. We have ownership 50 percent, all the bonuses 50 percent, and everybody's going to be alright. So going forward into the future, every one of these Millarworld projects, as we call them, 50 percent partners on everything. So it's just a really happy environment to be working in.
Organizations who win, think deeply, choose wisely, and act decisively.
I've done so many superhero comics, and I've actually just been really excited about sci-fi, and Chrononauts and Starlight were both sci-fi, which I had a great time doing.