Young Juiceman, he a flamer!
It was a surprise to me and a happy accident that it was such a skill [natural falsetto] - a latent skill and that there was a way to exploit it. And it was a key to playing great role Frankie Valli in such a huge show.
When you look at sort of pop stardom now, some of these singers, it seems like the idea of them was created in a marketing meeting, and then they just found someone to sort of fulfill that role.
It's funny - Frankie Valli's story and that advice that he was just getting from, you know, Christopher Walken's character, is very true for someone who's in a creative field.
I've learned to keep my work on the stage or on the screen.
I think Frankie Valli did everything right. He kept singing. And you also have to remember, he was confined to a certain society, which was this sort of like - the wrong side of the law kind of society of Italian guys from the streets of Belleville, New Jersey. So he found his way.
But when you get to know a character so well, you start to have insights that you can't show because you're confined to your script of your hit show.
William Castle and Alfred Hitchcock were the first director-personalities. Before then, nobody in America knew what a director was.
A young bride is like a plucked flower; but a guilty wife is like a flower that had been walked over.
A deliberate attitude that you have to hold in your mind as one of the basic rules of yoga is to remain even-minded and cheerful.
The artist is not a man who describes, but a man who feels.