He has the ability to catch someone by the way that he looks at her, and make her wish he would go on looking.
I remember that Scott Jacoby was a nice young man.
I see my work as visual meditations on the human experience and my attempts to capture the thin, otherwordly realm I believe exists between what we see and what we cannot.
I think it's because it was an emotional story, and emotions come through much stronger in black and white. Colour is distracting in a way, it pleases the eye but it doesn't necessarily reach the heart.
Some things a lady doesn't tell.
My agent sent me the script and I loved it. I wondered how they would turn me into a chimp. My agent said it would probably not entail to much time. Just some hair and make-up. I found out that it was not so simple.
It's hard to compare actors from different generations.
I have reached a place in my life where I need to sit down and say, 'Well, what do I do? What's best for me?' I need to look into options for the future.
That was the worst part about losing someone-finding a place to store all the thoughts and feelings you'd otherwise share with them.
I don't know if directors go, 'Hey! We've got another suicide-let's call Robin Tunney! It's weird, but they're all different, and I guess it gives the characters some kind of power. . . At least I play women who are strong enough to take the power into their own hands! And kill themselves! So many women in films just shoot themselves in the head anyway, because they're not really there for any reason.
I came out of school one day, and there was this pulp magazine. It was a rainy day, and it was floating toward the sewer in the gutter. So I pick up this pulp magazine, and it's Wonder Stories, and it's got a rocket-ship on the cover, and I'd never seen a rocket-ship.