I think love keeps on changing every day. It’s not black and white and it’s definitely more than 50 shades of grey.
I don't think anyone is black and white and I think we change our minds and our attitudes about certain things as we grow to our maturity.
We shall be free only together, black and white. We shall survive only together, black and white. We can be human only together, black and white.
Let's just shoot in black and white. Don't explain why. Have no reason for it. Just do it because it's interesting.
Color is descriptive. Black and white is interpretive.
Without music, my life would be black and white.
I don't see no black and white couples in England or America walking around proud holding their children and going out.
Everything is not black-and-white. I'm really interested in the gray area - not justifying it, not glorifying it, not condoning it, but at least having people see there's a genesis for every event in our lives. There's some divine order to it, whether it's ugly or beautiful.
I'm not so in with the prescriptive avant-garde agenda. I can do that sort of thing, but I feel that I'm still interested enough in song structure. When I look at a lyric on the page, the lyric is alive to me, looking like soldiers in a field. I can move it around, and it's very black-and-white.
Some negroes lie, some are immoral, some negro men are not be trusted around women - black and white. But this is a truth that applies to the human race and to no particular race of men.
Americans have an interesting conundrum, a black and white line: You're on one side or the other of Puritanism or licentiousness. But that gray area where people abide, between their ears or on the Internet, needs to be fleshed out more in terms of permission granted. I think a lot of women are contained within the parentheses of shoulds and role-play. It's all about entitlement and history. It's all about upper-body strength - and exacting your will.
Our personal past is only available to us now through black-and-white film, it's a medium for communication with the dead, including our dead selves, the way we used to be, which is why we're drawn to it.
I think when you're younger you have a more black-and-white view of things. You're more exclusively dedicated.
In my essays and articles I have been saying again and again that the case of Israel and Palestine, the case of Israel and the Arab world, and indeed the case of Israel and Europe, is not black and white. It's not a western movie.
I think it's because it was an emotional story, and emotions come through much stronger in black and white. Colour is distracting in a way, it pleases the eye but it doesn't necessarily reach the heart.
Everybody knows there is no such thing as normal. There is no black-and-white definition of normal. Normal is subjective. There's only a messy, inconsistent, silly, hopeful version of how we feel most at home in our lives.
Look at any black-and-white movie; everybody is smoking.
Nina knew the power of black and white images. Sometimes a thing was its truest self when the colors were stripped away.
Mortals. Everything is so black and white to you.
When you're the victim of the behavior, it's black and white; when you're the perpetrator, there are a million shades of gray.