Black and white is much closer to the condition of dreaming. It links you to the subconscious and I think that was part of the great appeal of movies originally. . this strange otherness.
I write to make peace with the things I cannot control. I write to create fabric in the world that often appears black and white. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change.
If I could have had my own way, I would have confined myself to black and white.
Black and white can show how something is. Color adds how it is, imbued with temperatures and humidities of experience.
I made this movie for $40,000, which was this little black-and-white horror film called Dementia 13, which we made in about nine days.
I believe that the essence of photography is black and white. Color is but a deviance.
I'm pretty selective. I generally edit the contact sheets and then do work prints. Because I have my own lab and printers, I can afford the luxury of going through the contact sheets for black-and-white, making up work prints, seeing them big, and honing them down.
When you talk to people who have been in combat, there's a sensory overload that happens. The color becomes vivid. Sounds become more pronounced. People talk about how, for them, the war was technicolor and real life was black and white after the war.
Adolescents' immature thinking makes it difficult for them to process the divorce. They tend to see things in black-and-white terms and have trouble putting events into perspective. They are absolute in their judgments and expect perfection in parents. They are likely to be self-conscious about their parent's failures and critical of their every move. They have the expectations that parents will keep them safe and happy and are shocked by the broken covenant. Adolescents are unforgiving.
From black and white to a sepia tone, some dreams come with a tint or in monochrome
The two dozen commonplace childhood photographs - snowsuit, pony, tennis racket, looming fender of a Dodge - were an inexhaustible source of wonder for him, at her having existed before he met her, and of sadness for his possessing nothing of the ten million minutes of that black-and-white scallop-edged existence save these few proofs.
When you're the victim of the behavior, it's black and white; when you're the perpetrator, there are a million shades of gray.
We want to live in the black and white, but we don't. The world is gray. And, I'm always fascinated by people who are clearly, 'This is black and this is white, and that's the way life is. ' Life always has something to say about that.
I try to do much of the necessary alteration on the black and white [cartoons] rather than leave it to be done on the paintings.
In black and white there are more colors than color photography, because you are not blocked by any colors so you can use your experiences, your knowledge, and your fantasy, to put colors into black and white.
Today my passion is still black and white. Today if I have an array of cameras in front of me the one I would reach for that I would feel most comfortable with would be a 4 X 5 View camera. I was once working in a sort of soft light situation.
Prince William looks good in uniform and Man-at-Hackett black and white tie (he has grown up wearing it constantly); less certain in his suits, which sometimes look borderline archaic; and variable in casual. But completely comfortable in the Sloane uniform of non-designer jeans and chocolate-brown suede loafers. He'll look fine in Boden.
I see the whole episode in my memory as if it were a very crisply photographed black and white movie. Directed by Bergman perhaps. We are playing ourselves in the movie version. If only we could escape from always having to play ourselves !
I am seized with an abiding fear regarding what these two instruments are doing to our society, our culture and our heritage. Our history will be what we make it. And if there are any historians about fifty or a hundred years from now, and there should be preserved the kinescopes for one week of all three networks, they will there find recorded in black and white, or color, evidence of decadence, escapism and insulation from the realities of the world in which we live.
Oh God, Mae," said Jamie in a hollow voice, descending the stairs. "I will never drink again. I'm only seeing in black and white. My arms feel all floppy, like flightless wings. I caught a glimpse of myself in the mirror and I looked like a very sad penguin.
