When we are willing to stay even a moment with uncomfortable energy, we gradually learn not to fear it.
I'm making and marketing my films, by any means necessary, and enjoying life while I do so.
I'm a huge Dirty Dancing fan. I feel like I should be reading [William] Shakespeare, but I'm watching Baby not be in a corner.
My parents [are my hero]. They've helped me be who I am.
It sounds kind of flighty, filmmaker-y, but I believe films are a piece of art. They are meant to be what they're meant to be, and sometimes the artist is informed by the film of what it needs to be.
A lot of work was done with one of my best friends and editor, Spencer Averick, who's edited everything I've ever made from the very, very first documentaries; the very, very first films I made were docs, so we learned the form together.
Is there deeply embedded change within our industry? And I would say, as a black filmmaker, it's easy for me to focus my attention on black work, but true change would include brown work, and it would include work by Asian-Americans, and it would include natives, and it would include women, and it would include more LGBTQ voices.
You know, I just don't believe that art is supposed to make sense. I really don't think it's supposed to be analyzed to death. It's left to the listener or looker to get what they can get from it.
Who knows who's waiting right now for one of us to invite them into God's family?
Grunge, like Nirvana and all that. Heavy metal, Iron Maiden, Metallica, Guns and Roses, drum and bass. I like to listen to it and try and break down what makes a fan of that music say 'Ah @#$%& that other music', do you get me? Trying to figure out what makes them tick, I always try and break that down with every piece of music. But the energy in that music, I love it.
LA has its own vibe. It has a charm that a lot of people overlook sometimes.