A true understanding of who God is, who we are, and the missionary task should drive us to our knees and keep us there.
I look at American movies, the big muscles, and try to apply that to Chinese film-making.
I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans.
So I'm a one movie at a time person, I don't develop. Normally we do a movie then one thing leads to another. If something pops up that catches my attention, then I'll decide.
I think, if allowed, 3D is a new film language. I can have more adventure exploring a new media, that's very exciting. 2D we know most of it, things haven't changed for decades; it's the same principles, so 3D's more exciting.
The first show to the journalists, that was the first one, so I was very uptight. Then I felt okay about the reception because we did a press conference with good and friendly questions, although people looked serious. So really, after the show you went to - the premiere - that reception tells me I think the movie worked, so that was a relief. I started to feel deflated.
As artists, we like night more than day sometimes.
Anybody who has a problem with 'Skins' obviously doesn't understand teenage life.
I change my direction, I can't even help it. It's sort of like the fortune and misfortune of being a rapper.
I think sometimes I forget that I'm 25, and I can have fun, and be flirty, and be confident, but still be completely in control. All of my new songs are empowering, but at the same time they're fun. I think that's important for women. You don't have to take yourself so seriously all the time.
Quite honestly, it's too tough to get your movies made and then also to get out there and sell them.