Touch a scientist and you touch a child.
I'm hugely honored [with the Man Booker Prize].
All this angst, all this stuff we all feel, is just tied to making art. It's so ancient.
If all the world's a stage, I want to operate the trap door.
There are many similarities between Germans and blacks. The nouns themselves are loaded with so much historical baggage it's impossible for anyone to be indifferent to the simple mention of either group. We're two insightful people looking for reasons to love ourselves; and let's not forget we both love pork and wear sandals with socks.
I'm not much of a self-promoter or anything. It's not something I feel comfortable doing. But sometimes I would get frustrated, I'd think, "You know, this is a good book, how come no one is paying attention to it?" So it's nice to have some recognition. I don't write to put it in a drawer, I hope that people see it. But what am I willing to do for that? I struggle with that a little bit. I try to be accommodating, but I'm pretty much a loner. I'll say this, and it'll sound like bullshit, but it's not: I don't really pay attention to this stuff very much.
People are very comfortable when race relations get looked at retrospectively. Slavery, the civil rights movement, etc.
Celtic enjoys a greater community spirit than any other club in the world.
All schoolchildren are hostages to red tape and fiscal insufficiency.
Could it be. . . that the hero is one who is willing to set out, take the first step, shoulder something? Perhaps the hero is one who puts his foot upon a path not knowing what he may expect from life but in some way feeling in his bones that life expects something of him.
A sign of power in a man is not only when people follow what he suggests, but also when people make a conscious effort to do the exact opposite of what he suggests.