Come, agree, the law's costly.
Growing up doing those Kiwanis Clubs, doing those Cub Scout banquets, doing those church shows, I learned to find that sensibility that most people could laugh at - that all ages and demographics could laugh at.
When a bad experience happens, you just chalk it up to the great fact that you just got five more jokes in the show.
As humans we like to laugh at our fears, we like to whistle in the dark.
Up until college age I was using the typical little-boy dummy that sits on the knee and makes woodpecker jokes. My first original character didn't happen until later, and that was Jose the Jalapeno on a Stick.
I've tried the female thing. I was in a movie called Dinner for Schmucks a couple of years ago with Steve Carell and I created a female character for that movie. And after a few months of trying her out on the road it just didn't work. I mean, I can think like a terrorist, I can think like a white trash guy, I can even try and think like an African American, but I can't figure out how a woman.
A comedian needs to have his own filters, needs to know his audience, how far he can push things.
How can we all be better? We can be better by constantly evolving and not saying, Because baseball has always had men, let's make sure we keep it that way. I think we should always challenge ourselves to do things that have never been done.
Success in TV-showmaking is just a matter of being authentic and doing the best you can, and you hope that people watch it and like it. For us [showmakers], we know where our bread is buttered, and we live by the written word of the critic. That's how shows build a critical mass on cable.
For the patient who remained hospitalized a long time, an insidious metamorphosis took place - the outside world dimmed and faded like a watercolor exposed to the sun, while the hospital became the center and the only real part of the universe.
The tide tarrieth no man.