The most miserable pettifogging in the world is that of a man in the court of his own consciences.
Goat curry and a female librarian, that's what I'm in the mood for.
The click [of a light switch] is the modern triumphal clarion proceeding us through life, announcing our entry into every lightless room.
I always lived in old buildings, and I thought about who lived here before. You'd have to be oblivious not to.
I never wore a watch. I always depend on public clocks, and stores have clocks, but that is strange.
In America, there's a very long tradition of a comic strip that comes in newspapers, which is not true all over the world. To sell papers, they put color comics in. It's worked, up until now. Now these papers can't afford it. They always had minuscule ad budgets, and now the things which people probably read these papers for are gone.
You can have your own watch and always doubt it. If I had a watch I'd probably always be doubting it or the batteries would be dying. I just know that people always have trouble with their watches, and that's why I like public clocks.
I was always searching, always seeking the next big thing, because that was the thing that was going to make everything all right again. And while I was working toward it, it gave me something to think about other than that thing I couldn't put my finger on. But it always came back.
I don't ever want to be doing the same sort of thing, I never want to be typecast, because I have way too much to give to be sort of, to always be the hot chick in the movie.
Let it not be said that I was silent when they needed me.
Artists who have produced experimental innovations have been motivated by aesthetic criteria: they have aimed at presenting visual perceptions. Their goals are imprecise, so their procedure is tentative and incremental.