It [The Esemblist] is also about the generation of audience members that are watching shows and listening to … - Nikka Graff Lanzarone

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The British capitalize on their accent when they don't want you to know what they're saying. But if you wake them up at 4 A. M. , they speak perfect English, the same as we do.

Nikka Graff Lanzarone

It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.

Listening, People, Same, Titles, Watching

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Where we're telling the story of the history of the ensemblist [in the "Ensemblist Essentials"], using the nine musicals that have won the Pulitzer Prize for Drama as fixed points in time We're going from 1931 to 2016 and using these shows to talk about what the typical show was like for an ensemblist at the time; did this show change anything about that job, while it was changing everything about the way theatre was written and produced and made?

2016, Drama, Jobs, Musicals, Story, Theatre

I'd like to see the first act of Sunday in the Park with George, and the second act of Hamilton. Every day.

Act, Firsts, George, Park, Parks, Sunday

Showtunes might be able to come back into pop music, which is something we haven't seen since the 50s and 60s. Everything is related to everything else because we're in such a niche industry.

Able, Industry, Might, Niche, Seen, Showtunes

We haven't truly had a zeitgeisty, 'songs on the radio' show, since. . . I want to say "One Night in Bangkok" was the last musical theatre song that charted. That was so long ago.

Long Ago, Musical, Night, Song, Songs

We're just trying to restore equilibrium to the Universe, that's all.

Equilibrium, Restore, Trying, Universe