I anticipated all the changes in jazz because they were all problematical things, that I was dealing with myself. In New York in the late '50s, there were a lot of experiments being made on how to avoid playing popular standards and how to get improvising out of those constricting formats.
I believe that true beauty comes from inside you and that always shows through. I have no problem with whatever the next look is, whether it's big blonde hair and blue eyes or green hair and dark eyes. That's fine so long as there isn't just one ideal image.