The key to ultimate succcess is the determination to progress day by day.
I did 15 shows a week when I lived in New York. I did five shows on a Friday and seven shows on a Saturday. It was everything I did and it was my sole source of income.
I would get my student loans, get money, register and never really go. It was a system I thought would somehow pan out.
The best comedy, I feel, comes in a drama because it balances each other out.
When you wake up one day and say, "You know what? I don't think I ever need to sleep or have sex again. " Congratulations, you're ready (to have children).
Whenever I get down about life going by too quickly, what helps me is a little mantra that I repeat to myself: at least I'm not a fruit fly.
You might think that's an exaggeration but believe me, if you leave twin two-year-olds alone in your living room, at some point a cow will be airborne.
[M]any people would accept that we do not really have knowledge of the world; we have knowledge only of our representations of the world. Yet we seem condemned by our consitution to treat these representations as if they were the world, for our everyday experience feels as if it were of a given and immediate world.
I've been streaky throughout my career, but I've been trying to become a more consistent hitter.
Because Larry, by then, was a drummer, who would sort of get bored and tired, and rather stand up and blow kisses to people. So we needed the bass to sort of drive along.
Since time itself is not movement, it must somehow have to do with movement. Time is initially encountered in those entities which are changeable, change is in time. How is time exhibited in this way of encountering it, namely, as that within which things change? Does it here give itself as itself in what it is? Can an axplacation of time starts here guarantee that time will thereby provide as it were the fundamental phenomena that determine it in its own being?