A lot of times, identifying with a character in a book or a movie makes me feel really vulnerable. Especially in books, it's like being able to see an amplified version of yourself, and it's very surreal.
Racing a thoroughbred grand prix car in front of a home crowd will be a surreal and mighty experience.
I find the past so fascinating. Photographs are strange, almost surreal, almost here yet gone. I slip into thinking what the past must have been like and I enjoy creating that ambience and atmosphere - 1730 to around 1870 is the most interesting period.
Carlton Mellick III is one of bizarro fiction's most talented practitioners, a virtuoso of the surreal, science fictional tale.
My life feels so surreal. That's why I've made a shtick of being me.
I would never write realistic prose. I don't like people who try to write in a poetic style, but in the course of their book abandon it for realism, and weave back and forth like drunkards between the surreal and the real.
Its always really surreal, being on a film set, but inside a beautiful, massive scene.
There's Cloudy with a Chance of Meatballs 1 and 2, and Ratatouille. It's super surreal. We've been working on this for eight years nonstop. Every week we've had a Sausage Party meeting, and now it won't be on our to-do list anymore. It's like the end of summer camp.
I think if something resonates, even if it's surreal, it's because it is relatable and I think that that's a core issue for me.
I was having the surreal experience of having myself show myself around my office and bullpen. ” “Oh! My desk. I could’ve sat at my desk. I could’ve sat at your desk. ” “No. ” “It’s a vid set. ” “Even then, no.
The whole trial seemed surreal.
Looking back, my whole life seems so surreal. I didnt just turn up on the doorstep playing rugby; I had to go through a whole lot of things to get there.
Film sets are constantly amusing because you really are creating something that is so very surreal, and I kind of like that.
That was another incredible thing: the opportunity to be in Greenland, a place I had read about in NatGeo a decade before. Suddenly I was staying there and hiking there, and we took a mini iceberg out of the water and chipped it up and used it as ice cubes and made cocktails with it. It's surreal.
We did want it ["Mary and Jane"] to feel a little different and have some surreal weird touches, which we try to do every episode. That is what we took advantage of.
It's surreal to know my dreams are coming true.
I'm not a drama person, but when you can make a movie in song form in three-and-a-half minutes, it's surreal.
The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me. " It's very surreal.
I don't love horror movies with something surreal happening. That doesn't work for me. What's terrifying is something that could actually happen to me and what I would do. I don't know how to throw a punch, and I've never had to do it.
New York forces you to be in endless surreal situations.