Since I've had children I don't really like horror movies.
I have always had a horror and detestation of poverty.
I love doing horror with comedy twists and I think it's a really fun genre.
. . . it is not possible to create the opposite of what one has always known, simply because the opposite is believed to be desired. Human beings need what they already know, even horrors.
Screaming. Did I mention the screaming? Screaming is usually associated with horror films and roller coasters. This is why I usually look like I've just watched a horror film on a rollercoaster. Kids love to scream. Frightened, happy, bored. They scream. I've actually learned to love the sound of a vacuum cleaner. It's just so peaceful.
It is deeply shocking and incomprehensible to me that despite volumes of documentation and living witnesses who can attest to the horrors of the Holocaust, there are still those who would deny it.
We grow despite the horror that we feed upon our own tomorrow. We grow.
I do one accent - my own. I can make it louder or quieter. That is the sum total of my vocal range. I thought I could do an American accent until I tried it in front of an American - the expression of horror is still burnt onto my retinas.
People get so upset about lyrics, and they're probably totally cool with horror movies. That doesn't really make sense.
When people would ask me what I was doing, I'd be like, 'It's a horror film. ' 'What is it about?' 'You'll just have to see it. ' I really didn't want to explain it because it's really tough to explain without it just sounding really ridiculous.
Like all tools, modern technology has produced some wonderful moments in music and also some horrors.
I was once told by a very well-respected editor, "Category horror is about good vs. evil, that's all it is. " And I thought, "That's why it's no good. That's why I find that stuff unreadable. " One is looking for something that's a little more emotionally complex and nuanced.
The daemonic-divine object may appear to the mind an object of horror and dread, but at the same time it is no less something that allures with a potent charm, and the creature, who trembles before it, utterly cowed and cast down, has always at the same time the impulse to turn to it, nay even to make it somehow his own.
They did type me as a horror writer, but I have been able to do all sorts of things within that framework.
There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don't understand. Internal is the human heart.
We must unite to make nuclear weapons a horror of the past.
I have a horror of tags and labels. I don't understand, for instance, how people can talk about Bergman's "symbolism". Far from being symbolic, be seems to me, through and almost biological naturalism, to arrive at the spiritual truth about human life that is important to him.
Horror is so basic. You'd get an adrenaline jolt from watching your mom get gored by a woolly mammoth. A horror movie gives you the adrenaline without having to have your mom get gored.
After the desperate years of their own war, after six years of repression inside Spain and six years of horror in exile, these people remain intact in spirit. They are armed with a transcendent faith; they have never won, and yet they have never accepted defeat.
Physical reality is one of the biggest horror movies of all, and you know how we love horror movies.