I had always loved horror films, so I wanted to do something in the horror genre but wanted it to be sweet and charming at the same time. Because there's a difference between watching horror, where you can leave it behind, and writing horror, where you have to live in it for months and months at a time.
. . . everything written is at least in part fantasy. Except maybe the national budget. That's horror.
There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
Night was a very different matter. It was dense, thicker than the very walls, and it was empty, so black, so immense that within it you could brush against appalling things and feel roaming and prowling around a strange, mysterious horror.
I went see the horror thriller, Hannibal. I am a massive fan of Anthony Hopkins. He is superb in the film.
From the driver's standpoint I had the same horrors, the same satisfactions, the same everything. The speed is relative. It's faster and things are happening quicker, but you have the equipment to handle it.
Time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible, then one must try to wriggle through by subtle manoeuvres.
When a horror movie is well done, I love it and I put it up in esteem with any other genre.
Horror I appreciate is one of the few genres that can wind the audience up and make them pay attention. I kind of like that. It's one of the few genres that can be very manipulative.
"The horror of that moment," the King went on, "I shall never, never forget!" "You will, though," the Queen said, "if you don't make a memorandum of it. "
I had never really done something that was more of a horror film, and its funny, because those are the kind of movies that I like probably more than any other genre. The script had images in it that I liked.
Art in Nature is rhythmic and has a horror of constraint.
I was always a fan of horror films as a kid.
The horror of wedlock, the most appalling, the most loathsome of all the bonds humankind has devised for its own discomfort and degradation.
. . . it is not possible to create the opposite of what one has always known, simply because the opposite is believed to be desired. Human beings need what they already know, even horrors.
From even the greatest of horrors irony is seldom absent.
I've always said that with a lot of the horror franchises that I've started, it's like directing a pilot. I come in, I direct the first movie and all these directors come in and direct all the sequels after me and hey have to kind of retain the look, the tone, and the characters.
After all, he did say you were the issue of an encounter between your father and a traeling hatcha-hatcha dancer. " There was a gasp of horror from the crowd. Duncan, smiling thinly, said through gritted teeth: "Thank you so much for reminding us all, Anthony.
I'm really easily affected by horror films. I have pretty strong reactions to them.
Val- I’m on Bourbon– (Acheron) I will not venture down that street of crass iniquities and plebeian horror, Acheron. It is the cesspit of humanity. (Valerius)