I don't really consider myself a horror director or a violent director at all.
It is only when a man feels himself face to face with such horrors that he can understand their true import.
There have been 14 versions that I can find of Burke & Hare movies. They have all been horror films and all the movies have taken place in Victorian times, which doesn't make any sense.
I don't have a horror film in me just because I don't like to be scared. But I definitely have a documentary in me, and I certainly have dramas.
Horror allowed me to quickly switch gears.
To have defined and sure opinions, fixed and known instincts, passions and character - all that is the horror of turning our soul into a fact, materialize it and make it external.
The horror that is America is disgusting.
Margarita was never short of money. She could buy whatever she liked. Her husband had plenty of interesting friends. Margarita never had to cook. Margarita knew nothing of the horrors of living in a shared flat. In short. . . was she happy? Not for a moment.
My parents were great parents, but for some bizarre reason they allowed me to watch whatever I wanted on TV, we had cable. And I constantly watched horror movies.
The middle age of buggers is not to be contemplated without horror.
The day before me is fraught with God knows what horrors.
When people would ask me what I was doing, I'd be like, 'It's a horror film. ' 'What is it about?' 'You'll just have to see it. ' I really didn't want to explain it because it's really tough to explain without it just sounding really ridiculous.
The practice of hinting by single letters those expletives with which profane and violent persons are wont to garnish their discourse, strikes me as a proceeding which, however, well meant, is weak and futile. I cannot tell what good it does - what feeling it spares - what horror it conceals.
I'd like to be remembered not only for my body of work but also for specific novels. Ideally, I want to be remembered in the same way as Stephen King, who defined and exemplified excellence in the horror genre in the late 20th and early 21st century.
Young adults that actually read are reading bodice rippers and best-sellers and me. And Horror.
There is a mystery about this which stimulates the imagination; where there is no imagination there is no horror.
You are horror and beauty in rare combination.
I'm not real huge on horror films, but there's something really special about this.
Where there is no imagination there is no horror.
Good Lord, who spread the Daimon fertilizer around? They're cropping up like a bad horror flick. (Tabitha)