I just love leopard print.
You [ the American President] can print more money, you just print and pay. I mean, it's a bad option, but you can do it.
I have a lot of respect for advertising. If I didn't teach and could go back in time, I might try and become a copywriter. I especially like print ads that combine a photo with a short caption or tag line.
I like things that are well cut, things that are considered within their detailing. Fabrics that are very developed; specialist jacquards and prints. My clothes are statement pieces. They're decorative, but there's always a subversiveness or an othersidedness to them.
It's depressing when you're still around and your albums are out of print.
I love when girls wear print-on-print. It looks so cool.
The firm is really ahead of the times. It has a stock market ticker that prints its report on thin aspirins.
If you print money like in Zimbabwe. . . the purchasing power of money goes down, and the standards of living go down, and eventually, you have a civil war.
No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
A woman once rang me up and said, 'Mr. Escher, I am absolutely crazy about your work. In your print -Reptiles- you have given such a striking illustration of reincarnation. ' I replied, 'Madam, if that's the way you see it, so be it. '
Seeing the world anew, as if it were new, is as old as writing. It's what all painters are trying to do, to see what's there, to see it in a way that renews it. It becomes more and more urgent as the planet gets worn flat and forest after forest is slain to print the paper for people's impressions to be scrawled down on. It becomes harder and harder to be original, to see things with an innocent eye. Innocence is much tied up with it. As the planet gets progressively less innocent, you need a more innocent eye to see it.
I'm not going anywhere. You can print that wherever you want to. I'm here and I'm a Spur for life.
There isn't much room for an outsider point of view in print any more.
While we have a very strong popular culture, the roots of American culture are very shallow, and we put emphasis on how a movie does as far as the box office goes. Many years ago, it would have been vulgar to print box - office grosses in the paper. Now The New York Times does it, and it's the big story for people interested in arts and entertainment on Monday. Which is why emphasis has shifted away from filmmakers and fallen on movie stars and business people.
I have to do this all the time - choosing what to print based on how it might come back to harm people from whom I've earned trust.
[The Freedom Writer] is full of disinformation. . . typical of left-wing journals like yours, you print anything you can find that is derogatory to those with whom you disagree - without checking the facts.
After I'd preached a message on Sunday night, I'd print it up.
We have never been so rich in books. But there has never been a generation when there is so much twaddle in print for children.
The 'person' is not an interchangeable part. The 'citizen' is. . . . The person is harking back to a pre-print model. It's what the hippies were.
Sarcasm doesn't translate in print at all.