The old footage of my dad, I always knew we were cut from the same cloth, because my dad was such a renegade and always marched to the beat of his own drum. To see where we were both dancing and being silly together, it's too beautiful for words. I was really happy to have that.
A lot of the reasons why people are annoyed at found footage movies is because people look at it like it's easy and that they could do it, too.
A lot of times I had footage that didn't have sound [in the Dream of Life film] - either I didn't bring a sound recorder, or I forgot to turn on the sound recorder - so we would have to improvise and build those scenes.
Steven's [Sebring] presence was not threatening; he told me that if I never wanted the footage to be seen by anyone, he would give it to me. So I had nothing to lose and everything to gain, and what I gained was his supportive energy and the supportive energy of his wife, who was sometimes the one schlepping the equipment or doing the sound.
You have to do a show, an interview, you've got to go straight back on the road to another location, make a track and edit things like footage etc. It's non stop. I really respect the hustle and work rate of Chipmunk, as well as N-Dubz and Tinchy Stryder.
There are days when either filmmaking feels like an insurmountable practice - here's a lot of obstacles in the way to make it happen - or you think, "What does this all add up to?" You don't know what to do with the footage, and you've asked a lot of people for their time and a lot of people to be patient with you. And then you lose faith that you can actually make a worthwhile story out of this.
The first thing I wanted to do, as a boy, was to be a skier, because I had seen film footage of somebody skiing.
I don't believe in having spaces in the home that don't get used. We pay so much for square footage that to waste it is criminal.
With every project I start out on, there's no footage. It's always a big slog to find the footage.
When you look at my film you see footage that is unbelievably awesome and beautiful and dangerous looking. It's something that is very, very cinematic.
The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.
I've seen my kids' work at school, and I think they're better than when I was young, 'cause I was brainwashed into anti-Communism. This is a much more interesting view of history than I've ever seen, and I hope to God it works. It's classic history, classically told. No talking heads. Just pure archival footage and a storyline.
The footage that you're about to watch of China's dog-leather trade is one of the worst things I've ever seen.
There was no actually stock footage in "Medium Cool. " I wrote the script. I wrote the riots. And I integrated the actors in the film in the park during the demonstrations. But nowhere was it like we had stock footage and then later, in editing, integrated it into the film. It was all done at the time.
No picture, no footage, no story. The people these days require some visual evidence in order to believe what they read.
If you continue to act now and be a member of the WWE Universe, you will see the same footage from. . . another. . . camera angle.
Whenever you see riot footage on TV - you know, someone throwing a brick in Pakistan or somebody throwing a fiery piece of pooh through a Starbucks window up in Seattle - you ever see anybody throwing anything underhand? I think it just takes all the aggression out of the act.
I became vegan because I saw footage of what really goes on in the slaughterhouses and on the dairy farms.
I think the best thing about my job is that I have my life documented, which not many people get to have. They have a photo here and there and maybe some video footage from a birthday. My kids will be able to see me growing up.
I would love to shoot on film, but you can't really shoot a lot of footage on film, and you can't print a lot of it.
