Werner Herzog (German: [ˈvɛɐ̯nɐ ˈhɛɐ̯tsoːk]; born 5 September 1942) is a German screenwriter, film director, author, actor, and opera director.
I believe the common denominator of the Universe is not harmony, but chaos, hostility and murder.
I do whatever pushes me hardest. It's coming at me and I try to. . . it's like uninvited guest and I have to wrestle them out the door or through the window - get them out and get over with them quickly.
I love nature, but against my better judgment.
As for the "anger" of the volcano, we leave it up to the local populations who create their demons, their gods and their divine punishment.
Otherwise [digital revolution] hasn't changed my way of filmmaking, I'm not nostalgic in postulating we should still make films on celluloid. I love celluloid but I don't need to continue on celluloid.
One of the most original and poetic works of cinema made anywhere in the seventies.
I've never left my culture. I've left my country, but I've not left my culture. In the same way, you shouldn't be worried why George Lucas is going to the outer galaxy to make a movie. He's still making a film within his culture; he's making an American film. I go to Thailand or the Peruvian jungle, the Amazon, and I still make Bavarian films.
When I say tourism is sin and traveling on foot is virtue, it's condensed into a dictum. It's much more complex than that, but let's face it, for me, my experience, the world reveals itself to those that travel on foot. You understand the world in a much deeper level. And it does good to anyone who makes film.
The universe is not harmonious: you know that by looking outside.
If you’re purely after facts, please buy yourself the phone directory of Manhattan. It has four million times correct facts. But it doesn’t illuminate.
Nature is monumentally indifferent.
In the communist revolution in North Korea, when they threw out the Japanese occupiers, they claimed the power in the dynamic of this volcano for their revolution, saying that this is at the center of the dynamics of our revolution. Everything that you encounter - you don't have, for example, any advertisements, you don't have anything like that anywhere in the country - if you see anything it would be propaganda, and propaganda always inevitably comes back to the volcano. It's always including the volcano. You see the new leader and standing behind him you see the volcano.
I function better in the jungle in Amazonia or Antarctica or Alaska or the Sahara desert. An artificial environment like a studio has never attracted me. I could work in a studio, but I would never really feel at home.
[Internet] is amazing as much as human beings can be amazing, and it's debased and depraved and vile as human beings can be.
By the way, today with digital cameras and editing on your laptop, and things like that, you can make a feature film, a narrative feature film easily for $10,000.
I do not recall to [Kim Jong-un], but it was complex. "Dear young leader of the people and chairman of the joint military commission" or something like that.
The power of a volcano when it erupts is so evident, so visible, so palpable.
I travel without barely any luggage. Just a second set of underwear and binoculars and a map and a toothbrush.
I simply don't like the culture of drugs. I never liked the hippies for it. I think it was a mistake to be all the time stoned and on weed. It didn't look right and it doesn't look right today either and the damage drugs have done to civilizations are too enormous. And besides, I don't need any drug to step out of myself. I don't want them and I do not need them.
The internet doesn't have any qualities, technical qualities. It's just fast, reaching out everywhere and so, it can process that and that volume of data flows and so, but it doesn't have any qualities like "good" or "bad" or "ethical" or "non-ethical". It's humans, it's us, not the internet.