I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it's still nothing but a copy.
You know, every time it comes, every time that light comes on or every time that camera comes on, every time that microphone comes on, the Mac Man seek and destroy.
I'm working on bringing the instant film camera back as part of the future.
We all know the sound a camera makes when it snaps a picture. Even some of the digitals do it for nostalgia’s sake.
I've been a soldier, I've been a bunch of little girls, all sorts of roles that I would not have been able to be with on camera context because I just don't look the part.
Similar thing until today, with digital cameras you look after something like that as robust as they can be.
I love the idea I can go off with a single camera and a few rolls of film unencumbered. . . I was not interested in the illusion of reality, I wanted to get close to what was happening.
I'm always secretly the most pleased when a show just really, really looks good and when my camera guys are really happy with the images they got.
Don't ever for a minute make the mistake of looking down your nose at westerns. They're art - the good ones, I mean. They deal in life and sudden death and primitive struggle, and with the basic emotions - love, hate, and anger - thrown in. We'll have westerns films as long as the cameras keep turning. The fascination that the Old West has will never die. And as long as people want to pay money to see me act, I'll keep on making westerns until the day I die.
Modeling's terrifying to a lot of people. Standing in front of a camera is terrifying. I like a challenge.
There is a narrative behind every image. I often imagine being able to see the photographer standing behind the camera, or perhaps crouching or running with it.
It never occurred to me that I was going to have to talk to a camera. I don't know if I can do this.
I'm the front man, I'm the man on camera, but there's a whole team beyond me.
I'm never at my best on television. There's a row of cameras between you and the audience, and it's very weird, very confusing.
I would love to be able to get behind the camera and direct actors. I think that would be a lot of fun.
I'm working in a form of cinema that can be described, and has been described, as a diaristic form of cinema. In other words, with material from my own life. I walk through life with my camera, and occasionally I film. I never think about scripts, never think about films, making films.
I'd share a pic if the digital camera battery wasn't as flat as 17th century Earth.
I admire a person who, for the love of art, is able to take off their clothes in front of a camera. But I'm not capable, I'm too cowardly for that.
Photographs are perhaps the most mysterious of all the objects that make up, and thicken, the environment we recognize as modern. Photographs really are experience captured, and the camera is the ideal arm of consciousness in its acquisitive mood.