I like the film camera better because the film is still one hundred times better than any digital image at the moment. So, there are certain movies that you can't really do digitally.
Never eat broccoli when there are cameras around.
The cameras were a little twitchy, and you'd get less footage and less set-ups every day. The interesting thing about it was that you just composed images in a completely different way because we had big 3D monitors on set, and you'd wear the glasses and see the image in 3D.
I have dreams of being a producer, being behind a camera, eating seven tacos for every meal, and making movies that affect people the way they affect me. I don't even need to be in them.
Sometimes I do get to places just when God's ready to have somebody click the shutter.
I compose the frame literally with the camera. Unless it makes a story point.
If I didn't have a camera, the things I do would be crazy.
I was a very imaginative and theatrical child and wasn't afraid of being in front of a camera.
After I did nine years of a television series, I didn't want to do anything really that involved going to a set and being in front of a camera for quite a while. And when I did start to want to do things, I wanted to focus more on film.
I don't know the technology of digital cameras but apparently the shutter speed is so fast, and so high a resolution, that they are capturing these orbs whenever people are bringing in a lot of angel energy. They just want us to know that they have got our backs, that we're not alone there, that our prayers are heard, and they are helping us.
Anything involving the camera, you're passionate about. Because there's no movies without it.
I think that film is still an artform and it doesn't really matter if you're using a digital camera or a film camera.
Some comedians you work with, they only turn on when the camera turn on, and they're like sad-faced clowns when the camera's off. And then, they come alive when the camera come on. And you be like, "Oh, damn. You're not a depressed ball of depression, but you are actually funny. "
I'm the front man, I'm the man on camera, but there's a whole team beyond me.
The filming of Shakespeare is always problematic, because he hates posing for the camera
In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.
Aesthetics does not exist for the camera as an isolated entity. Aesthetics, in fact, is inseparable from the purpose of the photographer and the use he makes of his theme. When photography fails. . . it is usually because a false separation has been imposed on form and content.
As you warm to the ideas expressed in Total Recall, you find yourself reaching for your digital camera to record the moment just gone by.
Marilyn Monroe gave more to the still camera than any actress, any woman I've ever photographed; infinitely more patient, more demanding of herself and more comfortable in front of the camera than away from it.
I hope I'm able to achieve more on camera through stillness, through focus, through being quite careful to do less on every take, rather than more. So I'm reducing, rather than adding. Which hopefully is a good exercise. That's what I'd like to do.