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Fame is everywhere; the 15 minutes are now the dominant themes of our times.

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A-Trak

I'm not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.

Ears, Producer, Sound, Stuff, Trained, Way
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When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.

Dirty, Like, Rap, Rapping, Trying

There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.

Dislike, Djs, Productions, Things, Towards

Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.

People, Play, Played, Reputation, Song

There's a bit less elbow room and latitude to take it somewhere else, at least at festivals. In the club you can do whatever you want but at festivals, especially Ultra, nowadays the crowd wants to hear our songs.

Crowd, Elbow, Elbows, Somewhere Else, Song, Songs

At the end of the day, if I do a set at a festival and I only have an hour, which is kind of short for a DJ set, I know that I have to play at least six of my songs. Then the whole challenge is what do I weave around that. How do I stand out? Because at a festival there's probably fifteen songs every DJ's going to play every hour, for the whole day. That to me is more interesting, because I still feel like an outsider in this world.

Interesting, Like, Play, Song, Songs, Stand
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