[Eric:] "I'm hoping that the more you see me, the more I'll grow on you. " [Sookie:] "Like a fungus?
I think not knowing what to think of your paintings is a good place to be.
I think that truth is stranger than fiction, and it's nice to know the people you're making a movie about.
We need to not be scared [of muslim], but understand each other. When you're around these people, you see they have much more in common than their differences.
My compulsion is to create things.
I'm not mannerist. I don't think I'm interested in mannerism. If I ever use it in a way, or if manner is like some kind of product of certain sorts of usage of different kinds of materials, then it's about involution or turning in on that.
I have a completely romantic idea about making paintings, I guess.
Economists did something even better than predict the crisis. We correctly predicted that we would not be able to predict it.
The function of camera movement is to assist the storytelling. That's all it is. It cannot be there just to demonstrate itself.
Farmers are patient men. They got to be. Got to see those seeds come up week by week, fraction by fraction, and sweat it out for some days not knowing yet is it weeds or vegetables.
Painting gives the object itself; poetry what it implies. Painting embodies what a thing contains in itself; poetry suggests what exists out of it, in any manner connected with it.