Tell me a story of deep delight.
The hardest part about storytelling is knowing what happens in the end.
Unlike fiction, which you create before you go into production, with reality you kind of create it after everything is produced. The drama and the storytelling is really done in post.
Honestly, I don't try to guess at what most people want. I don't think I'd guess right, and I just think that that's not a good recipe for storytelling. I try to write what I like, what I think my friends would like.
The storytelling. . . is kind of amazing.
The bedrock thing of country music is, it's about storytelling. I feel like I was able to find a niche because I connected to that in some way.
Storytelling is what lights my fire.
Artists should always think of themselves as cosmic instruments for storytelling.
Social media companies must combine their mastery of the latest in real-time, location based or augmented reality technologies in the service of clear and consistent storytelling.
Our country has the oldest tradition of storytelling, and this was much before writing stories even became a norm.
My major allegiance has been to storytelling, not to history.
It's not magic that takes us to another world - it's storytelling.
I love comedy. I love to make people laugh. (But) anything that's telling a good story makes me happy. So, I just like to be part of the storytelling process.
Human beings cannot live without stories.
Rule of storytelling: When a character is shoved against a wall, shove them against a wall harder.
We have, as human beings, a storytelling problem. We're a bit too quick to come up with explanations for things we don't really have an explanation for.
I achieved perfection, my type of perfection - visual storytelling. Storytelling was my style.
We have in our head something called story grammar. We see the world as a series of episodes rather than logical propositions. . . In our serious society, storytelling is seen as being soft. But people process the world through story.
The sound of story is the dominant sound of our lives.
You can put the camera in places where you may not necessarily be able to put it there if I don't do the stunt. If it's character and it's storytelling, then we do it. We design the things around me. I don't do it just to do a stunt. It's storytelling for me and how I can best bring the audience into the action, bring the audience into the story. And that's how we always look at at.