Love casts out fear, but we have to get over the fear in order to get close enough to love them.
I think English film is very embarrassed by patriotism, generally.
I think we all have blocks between us and the best version of ourselves, whether it's shyness, insecurity, anxiety, whether it's a physical block, and the story of a person overcoming that block to their best self. It's truly inspiring because I think all of us are engaged in that every day.
I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
I think directors can become overly infatuated by gilt and gold, and the word "lavish" and everything being magnificent.
I was always obsessed with finding truly researched images to add authenticity, out of that came something totally contemporary and modern. Research is very key to my process because over and over again, reality provides more interesting images than you could have invented.
A lot of dramas get a bad name commercially because they are unremittingly bleak.
You may not instantly see why I bring the subject up, but that is because my mind works so phenomenally fast, and I am at a rough estimate thirty billion times more intelligent than you. Let me give you an example. Think of a number, any number. ” “Er, five,” said the mattress. “Wrong,” said Marvin. “You see?
Oh, grant me my prayer, that I may never lose the touch of the one in the play of the many.
Man can try to name love, showering upon it all the names at his command, and still he will involve himself in endless self deceptions. If he possesses a grain of wisdom he will lay down his arms and name the unknown by the more unknown - ignotum per ignotius - that is by the name of God.
A man of honour should never forget what he is because he sees what others are.