A sermon is no sermon in which I cannot hear the heartbeat.
There's no such thing as a bad photograph.
The idea was to take fine art and put it into the location of the movie scripts. The script itself is collage - some of the lines come from actual movies and I've written others to make the text work with the found image. In this way, the details of old dead guys' paintings (from the collection of the Städel Museum in Frankfurt, where this work will be exhibited in relation to the historical paintings) become illustrations of the movie scripts. I found this mélange of high art and Hollywood amusing.
I think I live such a boring life. But I can't imagine any other kind of life, so I guess it's the life I want.
Ideally I would like the work to be a hybrid between painting and photography.
It's human desire to be understood. And we always feel we're not understood.
I was teaching live drawing in a community college and students started zoning in on the face and spending a couple of hours on that and then putting the rest of the body on the face only in the last hour. It didn't work to just tell them, 'Well, you're really not thinking of the body as a totality. ' So in desperation I would put a drape over the model's head so they couldn't see it. They had to draw the body and then at the end of the session for an hour I would take the drape off just to try to reverse their procedure.
If I notice a cute girl at the meet-and-greet, I might go and talk to her.
It's really difficult to have your voice heard and feared when you both speak softly and carry a twig.
Because I was promoted as a sort of a siren and played all those sexy broads, people made the mistake of thinking I was like that off the screen. They couldn't have been more wrong
The clothes that fire up my emotions are colorful and different pieces. My eye still picks out gilded-cloque glamour from among Burberrys streamlined trench coats or a hand-printed coat from Dries Van Noten.