In performance, you dont always feel that sort of family bond right off the top. It sort of develops and grows over time.
If only Simon were here. He could probably bore you to sleep.
As long as there is love and memory, there is no true loss.
He seemed to realize she was staring at him, because the cursing stopped. "You cut me," he said. His voice was pleasant. British. Very ordinary. He looked at his hand with critcal interest. "It might be fatal. " Tessa looked at him with wide eyes. "Are you the Magister?" He tilted his hand to the side. Blood ran down it, spattering the floor. "Dear me, massive blood loss. Death could be imminent.
Every heart has its own melody.
Life is a book and there are a thousand pages I have not yet read.
The more you try to crush your true nature, the more it will control you. Be what you are. No one who really loves you will stop.
It's like having a conversation. Doing beatbox for me is as natural as talking is for someone else. Sending sound through a certain part of my throat, so that I am accurate every time. It's not like whatever happens happens, this is a focused sound.
From a policymaker's point of view, [the back door] must look like a perfect solution. "We'll hold onto a separate copy of the keys, and we'll try to keep them really, really safe so that only in an emergency and if it's authorized by a court will we bring out those keys and use them. " And, from a policy point of view, when you describe it that way, who could be against that?
For as long as I can remember, I have written songs because I wanted to, because I was experiencing something that couldn't be described except through a sound.
If you sit there and you know that rule #1 is just that everything you do is honest and is just a natural and instinctual extension of yourself, then there you go.