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The very condition of Woman is so subject to Hazard, so complex, and so grievous, that to place her at one moment is but to displace her at the next.

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M. Ward

As a producer, I like to bring in unexpected voices, unexpected musicians, like Watt and Joey Spampinato of NRBQ.

Voice, Musician, Unexpected, Joey, Producer, Musicians
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I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.

Giving, Passing, Perspective, Recorded, Song, Sounds

Certain things you have to stumble on to. They can't be preprogrammed.

Certain, Preprogrammed, Stumble, Things

When I first started making music, it was learning other peoples songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.

Beatles, Ideas, Song, Stuff, Used, Writing

I went every Sunday to church when I was growing up, and I think that music had an affect on me before my memory can recall.

Affect, Growing, Growing Up, Memories, Sunday, Think

I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas. Whoever chooses to latch onto it, great; whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.

Act, Experimenting, Ideas, Laboratory, Records, Sound
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