Nowadays three witty turns of phrase and a lie make a writer.
You are able to monitor and police your standards of quality once you have defined them.
Rather than managing by clarifying events, the creative process may require raising the level of uncertainty. Sometimes this can be done by issuing a creative challenge that has resonance in that it inspires the team to activity.
The C. E. O. 's job in a creativity-driven company is to be an impresario, not a manager.
The impresario's job is to pick the right people who can pick the right people. He picks the people who can pick artists and relate to them. People who know what the market craves.
The head of a record label sets up structures, but he also defines the sound of the label, which is to describe what is desirable, what fits and what is quality for that label and then to create an environment where that sound can thrive.
A large part of the impresario's job has to do with maintaining and communicating standards of performance. Knowing how to set those standards - which are often more subjective than analytical - means knowing how to communicate the difference between something that is great and something that is just O. K.
There’s only one subject for fiction or poetry or even a joke: how it is. In all the arts, the payoff is always the same: recognition. If it works, you say that’s real, that’s truth, that’s life, that’s the way things are. ‘There it is. ’
I feel trapped if I know I can't kill myself at anytime
I ran the Gate in Notting Hill for a while, which is where Stephen Daldry started out. Those theaters are magical, because there's no money, so in a way there're no boundaries and it allows you to be inventive and brave and take risks and all those important things while you're starting out.
The spiritual response is too often a simplistic one: we abandon God or we blame God for abandoning us.