I don't think it's realistic for someone to have an undying loyalty to everything you ever make.
I practice at home, in between phone calls, and have much to do.
I listen to Bill Stewart play the drums and when I have finished doing that, I listen to Bill Stewart.
You learn so much about music from all the people you surround yourself with - good, bad and indifferent. It's extremely hard to be specific.
And I like messing around in the engine room of music. Seeing what happens in the rhythm section area.
Sometimes I had to room with Tony Kaye and that was awful.
Plus I am being hounded by all the fabulous new drummers, Bill Stewart at the head of the pack.
I still want to play in it, maybe when I absolutely think I have no chance of playing in it my view might change but I doubt it because it just doesn't interest me.
I did this movie with Spike Lee called 'Sucker Free City,' and that would have to be my favorite role by far. It was just so much fun to work with Spike and shoot in San Francisco.
You're looking for purity, something that just isn't all garbled, someplace where you can feel the earth again, where you can feel what the wind feels like, where you can see the stars at night, and actually, not just look at little dots in the sky, but feel an energy from them.
When you look at the dominance of Notre Dame, the love of Mary in almost every European country, psychologically, had to come from this recognition of the feminine mediating divine love. And for many people in history, it was clearly the preferred way because women raised most people, not men, so their first experience of unconditional love, of touch, of caring, of nurturing very often came from a woman - that got easily transferred to Mary.