I enjoy working with complicated equipment. A lot of my things started just with a rhythm box, but I feed it through so many things that what comes out sounds very complex and rich.
There are rhythms in the world waiting for words to be written to them.
Live, be, move, rejoice -- you are alive! Without the heart's wise rhythm, we could not exist.
Running hills breaks up your rhythm and forces your muscles to adapt to new stresses. The result? You become stronger.
I got the total package, you know, the curves, the rhythm, and the voice. I'm just the best.
Throughout my whole life, as a performer, I've never played with a band. I've always played alone, so I was never required to stay in rhythm or anything. So it was a real different experience for me to start playing with a band. There were so many basic things for me to learn.
It is from him, from Beolco Ruzzante, that I've learned to free myself from conventional literary writing and to express myself with words that you can chew, with unusual sounds, with various techniques of rhythm and breathing, even with the rambling nonsense-speech of the 'grammelot. '
Rhythm is everything in boxing.
Rhythm and sounds are born with syllables.
The body of poetry is nothing but energy, waves, rhythm.
One of the biggest advantages that start ups have is execution speed and you have to have this relentless operating rhythm.
If one is willing to have children, rhythm is probably the best method of contraception.
We do inherently know that poetry is about the way we speak. It's about where we pause, where we drop our words in the middle of a sentence. It's about the rhythm and the cadence of the way we speak. It's about putting that down at the end of the day.
The essentials of poetry are rhythm, dance, and the human voice.
If the rhythm section is really swinging it's such a great feeling - you just want to laugh!
Bill Pullman is older than Aaron Eckhart - although I was older too - and the age difference changes the play. My perspective on those issues had changed a lot. Without going into nerdy details about that play, there was something that still stuck with me. I still had the same joy in that dialogue and David Mamet's rhythm in terms of his writing. I felt like there was still something to explore.
When jarred, unavoidably, by circumstance revert at once to yourself and don't lose the rhythm more than you can help. You'll have a better grasp of harmony if you keep going back to it.
Either black people end up being the best in sports, or else it's show business. You know, we all got rhythm.
Each of us has his own rhythm of suffering.
Well, rhythm is 90 percent of the interpretation.