The only way that we can prove the relevance of Fanon in a certain way outside of some academic circles is to ask, do people involved in social struggles engage with Fanonian concepts and find something relevant for them, even if they have never heard of Fanon because Fanon is implicitly in the struggles?
Everybody thinks performance capture is about thrashing around and doing a lots of movement, but it's actually about being able to contain and think and be believed in a close-up, as much as anything else.