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I think a pretty good modus operandi is to believe that everything we know is wrong. The stomach will be the key to depression or consciousness or we'll realize ants are smarter than people.

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Robert Aris Willmott

The drama embraces and applies all the beauties and decorations of poetry. The sister arts attend and adorn it. Painting, architecture, and music are her handmaids. The costliest lights of a people's intellect burn at her show. All ages welcome her.

Art, Beauties, Burn, Drama, Light, Welcome
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A first book has some of the sweetness of a first love.

Book, First Love, Love, Reading, Sweetness

The drama is the book of the people.

Book, Drama, People

Winckelmann wished to live with a work of art as a friend. The saying is true of pen and pencil. Fresh lustre shoots from Lycidas in a twentieth perusal. The portraits of Clarendon are mellowed by every year of reflection.

Art, Friend, Live, Lustre, Reflection, Years

Art, not less eloquently than literature, teaches her children to venerate the single eye. Remember Matsys. His representations of miser-life are breathing. A forfeited bond twinkles in the hard smile. But follow him to an altar-piece. His Apostle has caught a stray tint from his usurer. Features of exquisite beauty are seen and loved; but the old nature of avarice frets under the glow of devotion. Pathos staggers on the edge of farce.

Art, Caught, Children, Eye, Forfeited, Tint

One interesting feature of criticism is seen in the ease with which it discovers what Addison called the specific quality of an author. In Livy, it will be the manner of telling the story; in Sallust, personal identification with the character; in Tacitus, the analysis of the deed into its motive. If the same test be applied to painters, it will find the prominent faculty of Correggio to be manifested in harmony of effect; of Poussin, in the sentiment of his landscapes; and of Raffaelle, in the general comprehension of his subject.

Character, Interesting, Prominent, Quality, Story
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