Because I fear God, I have no man to fear.
One day, maybe not in the next few weeks, but certainly in the conceivable future, someone will be able to refer to me without using the word 'arse' somewhere in the sentence.
And it isn't that I'm so unhappy I don't want to live anymore. That's not what it feels like. It feels more like I'm tired and bored and the party's gone on too long and I want to go home. I feel flat and there doesn't seem to be anything to look forward to, so I'd rather call it a day.
It's brilliant, being depressed; you can behave as badly as you like.
It's just that romance, with its dips and turns and glooms and highs, its swoops and swoons and blues, is a natural metaphor for music itself
There isn't so much to be afraid of, out there. I can remember thinking it was funny to find that out, on the last night of my life; I'd spent the rest of it being afraid of everything.
Have you got any soul?" a woman asks the next afternoon. That depends, I feel like saying; some days yes, some days no. A few days ago I was right out; now I've got loads, too much, more than I can handle. I wish I could spread it a bit more evenly, I want to tell her, get a better balance, but I can't seem to get it sorted. I can see she wouldn't be interested in my internal stock control problems though, so I simply point to where I keep the soul I have, right by the exit, just next to the blues.
Sometimes touring can warp reality because you're never in one place long enough to get a feel for it. You don't interact with people long enough to know what real life is. That's why a lot of artists write songs about longing and missing people when they're on the road. I do my best to keep my mind open and I read a lot when I'm on tour, so I hope I have good things to write about. I'm constantly in the songwriting process.
Let's just be fabulously where we are and who we are. You be you and I'll be me, today and today and today, and let's trust the future to tomorrow.
If ur going to have a war on drugs, have them against ALL drugs, including alcohol, the number one offender.
It’s a very new, not to mention vulgar, idea that the spectator’s experience should be identical to, or even have anything to do with, the artist’s.