I don't believe in living in the past. Living in the past is for cowards. If you live in the past, you die in the past.
A good heart cannot lye
Prayer should be the key of the day and the lock of the night.
He that hath not the craft, let him shut up shop.
A discontented man knowes not where to sit easie.
He that commits a fault, thinkes every one speakes of it. [He that commits a fault thinks everyone speaks of it. ]
Thou who hast given so much to me, give me one more thing. . . a grateful heart!
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages. Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into. It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible. A great deal about this can be learned from the study of the great plays, and I believe the ‘hard-boiled’ detective novels can also be very instructive.
You know, I was not an attractive child - I never had a cute face.
Covetousness is ever attended with solicitude and anxiety.
If you do it properly, life is art, really.