If I could solve all the problems myself, I would.
I'm not a designer, I'm a creator. To me, it's always been about collaboration, I've never studied styling or fashion. As far as I'm concerned, it boils down to common sense: have fun, more importantly have fun with your friends and keep a global view on what you're doing.
That's what's great about animation: It's collegial, and it's all about collaboration. Any good animated film is good for animation.
Willow and I definitely talked about doing a collaboration. She really loves rock music, so she wants to come on and get crazy with me on a track. Which I would love, because she has a fantastic voice.
Collaboration is risky. If it fails, if the occupation is wound up prematurely and the bad guys come back to power, you might find yourself in some serious trouble.
Teams do not seek consensus; they seek the best answer.
I am working on a list for collaborations and it's just another way to share your artistic talent with other artist.
The network is opening up some amazing possibilities for us to reinvent content, reinvent collaboration.
The nature of my work is my subjectivity meshed with other people's subjectivity. So there's a correspondence with that. . . Even if you write about me, it will reflect on you; everything is a kind of weird collaboration.
I think that collaboration makes me a better director and observer and writer because I can look at things in a different way.
I never quite understand the way society decides who is beautiful and who is not. But an open face and a capacity for kindness always feel like reliable signifiers to me.
I'm not interested so much in collaboration. You see that from the history of my albums.
I've worked with Frank [Darabont] on two collaborations, The Majestic with Jim Carrey and Stephen King's The Mist.
An interesting thing about the beginning of our friendship and professional collaboration [with Tina Fey] was that the improve scenes we would do together were basically dramatic and not funny at all.
Sometimes those who give the most are the ones with the least to spare.
I don't do a lot of collaborations that I don't believe in. Actually, I don't do any collaborations that I don't believe in.
One of my dream collaborations is to work with Sade. I would love to work with Andre 3000, Miguel.
There is no guiding principle, because the work that is created in collaborations should be created from its own principles.
That's my mathematician who examines problems which I put before him and checks their validity. You see, I am not myself a good mathematician.
As much as I have done collaborations over the years, I am actually kind of a reluctant partner.