I haven't talked to [Sterling Simm] personally about the situation. We did a couple retweets to make some noise and get a little feedback, but I would definitely consider it. When we had our session for the "All I Know" collaboration he played me a number of records, one being "All These", that were crazy.
Every novel is an equal collaboration between the writer and the reader and it is the only place in the world where two strangers can meet on terms of absolute intimacy.
A photographic portrait needs more collaboration between sitter and artist than a painted portrait.
Confidence is not just in people's heads; it comes from the culture of the organization. It's easier to expect success when working in an organization that has a culture of accountability, collaboration, and initiative. Without this, it's easier - and more self-protective - to assume failure so the person is not disappointed and instead pleasantly surprised.
I would feel weird having someone style me. It would have to be a collaboration. I've had those experiences and every time it happens I don't feel good. What's the point of putting all this work into something and then when you present it, it's not you?
Your corn is ripe today; mine will be so tomorrow. 'Tis profitable for us both, that I should labour with you today, and that you should aid me tomorrow.
In comics, collaboration saves your life. How well you can work with an artist, a colorist, a letterer, is how good your comic is.
Going with the flow is responding to cues from the universe. When you go with the flow, you’re surfing Life force. It’s about wakeful trust and total collaboration with what’s showing up for you.
Reading is, at its best, not an escape; it is genuine experience. A novel is not a monologue, but a conversation, a collaboration between writer and reader, an invaluable exchange of human conditions.
I am always making sketches of how information should look or mapping out a marketing campaign. When I present my notes, people start responding to them. Desktop publishing makes everything look slick. When you present sketches, it helps start the dialogue and collaboration.
I dream of a collaboration that would finally be total, in which the librettist would often think as a composer and the composer as a librettist.
I always need a support team, even at Donna Karan. I like collaborating. There is something in collaboration that is wonderful.
Every sin is the result of collaboration.
I'm not interested so much in collaboration. You see that from the history of my albums.
I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.
You ask actors what they would like to do, and you constantly keep them engaged. You want their engagement, input, and sensibilities. It's that intimate collaboration that is actually directing. I don't like the mechanicalness or coldness; I like the intimacy. It's like we are creating a child together.
It's not that the (social media) tools themselves inspire trust and collaboration. We use them as a medium to connect, and thus generate trust and enthusiasm.
Collaboration has become really integral to my process. I play music so that I can spend time with my friends and communicate in that way. I experience so much joy in that process, because, you know, it's those times of getting together and playing music and all that comes with it that are the best for me.
hybrid, n. A pooled issue.
I enjoy the collaboration. I always envied people in bands who got to have that interaction.