I really want to work with Adele, I think she's amazing. Lykke Li as well. I love them both. I'd also like to work with The Script. I met them in Australia and we just got on like a house on fire.
I'd love to write a country album with Adele.
[I listen to] "Uptown Funk", Bruno Mars, sometimes even Nina Simone and Adele. Whatever comes up, whatever floats my boat, whatever makes me tap into something in me to just decompress - I listen to that.
I love Adele so much and it's honestly not because we're both big.
I think it's really cool that there are people like Adele on the cover of 'Vogue' and 'Rolling Stone,' and like I think it's really important that people are talking about your body, because if they don't, then you'll never be able to break that barrier.
We stay away from pop culture almost all the time, you know. That's sort of a rule. You won't really hear people on our show talking about Beyoncé or Adele. We try to make it a little bit more timeless.
Not like [Adele Dazeems] going to follow me around for the rest of my life.
I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general.
I love Adele. Natasha Bedingfield is cool, those sort of people.
Adele is great because she promotes the idea of being happy as you are.
When I first met Adèle I was like, ‘Wow, this girl has a strong character!’ She has something very free about her. I’m not used to it. Some actresses are too self-aware, they strike a pose. Adèle is a force of nature.
