I can remember when anything further downtown New York than Canal Street was risky and the whole area still looked like a 70s cop movie location; when the original loft-owners were more dash-than-cash, artistic types.
One of the main things that differentiates them [artists of 70s] from artists before is that they made albums based on the fact that they didn't care about the band as a thing in its own right. They cared about manipulating the recording and that became the album.
When you grow up, some areas of the world are out of your knowledge - especially when I grew up, in the '70s and '80s. Now, you have access to everything, but back then you did not because of the way the media was, and society imposed more directions, structures, and restrictions. It's not like art was prohibited, but art was not something that the people around me presented. So I developed it very much on my own growing up.
The '80s were fabulous. The '90s sucked, and the '70s were just a sad, sad time in human history. Go 1980s! There's something that's just so cute about that time. And not just yellow nail polish and 'I'm a loner.
You just want to go back to those 70s albums. Even a lot of the 90s indie records were still done on tape, and you hear the difference.
It wasn't until the late '70s that a lot of people knew me.
I never thought about becoming a professional singer, but I am in touch with Bono about releasing a musical movie. It will be about an Irish band during the '70s who are looking for fortune in Las Vegas. I should play the singer of the band but I don't want to sing in front of anybody.
When I started out in independent films in the early '70s, we did everything for the love of art. It wasn't about money and stardom. That was what we were reacting against. You'd die before you'd be bought.
I like to make movies the way people made movies in the '70s, where they lived and died with these stories, and cared about them, and went to war for them, and they all said something they wanted to say.
I talked to ex-wives of musicians of the '70s for research. They're the funniest people in the world, yet there is this sad, beautiful thing in their eyes that says they've seen more than they could ever possibly tell you
I was born in '74, so I missed out on all the great early '60s and early '70s.
When I was a younger man and had a life, I owned an El Camino pickup in the '70s. It was a real sort of Southern deal. I had Astroturf in the back.
Back in the 70s it cost 15-20$ a shot for the film, the processing, and the contact sheet, now it’s twice that.
The main thing I like to do is have a mix of the '70s glamour and emulate a lot of ladies I love, like, Diana Ross, Chaka Khan, Donna Summers. I remember thinking that as a young girl, they were so cool and iconic. I missed that!
As an artist, I used to think that my responsibility was to do good work. But I had to learn from the 70s on that being a public figure presents another aspect of responsibility.
A violin is nothing more than a piece of wood and a dead cat. But it's a piece of technology. So when computers came along, in the '70s, I suddenly thought, hang on a second, this is interesting. These things can become an instrument. So I just became very interested in them, and started, playing with electronics.
I really like the relaxed glamour of the 70s.
There's that thing about the '80s, the '40s and the '60s, and the '30s, the '50s and the '70s. Something about those odd decades in this century that weren't too pleasant.
The coming cooling of the planet overall will return it to where it was in the '60s, '70s, and '80s.
I love vintage clothes. I have a real passion which probably comes from the days of my mum who had this great dress up box that she put all her clothes from the 60s and 70s in - platform shoes and jumpsuits and boots.